A love of musicals

Warning: If you’re looking for a post about agriculture, this isn’t one of them. Tune in for that in the future. For now, just learn a little more about my total geekiness and one of the things I love.

I am a self-admitted Gleek. I can’t help it. When I first heard of a show that was basically an hour long musical on TV every week, I knew this was the thing for me.

I love music of pretty much all kinds, but especially musical theater and musicals on film. There’s something about not just hearing a song on the radio, but rather using songs to tell stories. Ever since I heard The Phantom of the Opera on tape (which my parents picked up after seeing the show in Toronto), I was hooked. I knew all the words and tried to sing it like the great opera singers in the cast (probably to the detriment of my parents’ hearing). When I finally got to see it in the eighth grade, it was everything I imagined and more. Since then, I’ve been in the audience for The Lion King, Rent, a local production of Annie Get Your Gun and, my favorite, Wicked. There are so many more musicals I want to see, but I love every opportunity to get introduced to a new show and its wonderful music.

This is where Glee comes in. With its covers of Broadway and pop culture hits, Glee is everything a music fan (or at least one who can appreciate covers and high school drama) could ask for.

Now, I know Season 2 suffered. I think every Glee fan knows this and a part of them is saddened. Characters that could have been developed weren’t. Characters that should have stayed gone seemed to show up. Storylines changed and disappeared mid-stream. I think it got bigger than the show’s creators were ready for and, while there were a few shining moments (Rocky Horror, the Christmas episode and the hour and a half “Born This Way” episode come to mind), overall it got a little messy.

But I just finished watching Season 1 (streaming on Netflix!) and it reminded me why I loved the show so much in the first place.

There’s a part of me – the part that loves musical theater – that just gets giddy when writers can string song into a good storyline. It’s like the lyrics are dialogue, just like the rest of the script, only they’re able to convey so much more feeling and emotion than regular speaking can. Whether it’s “Don’t Rain on my Parade” from Funny Girl, a Journey medley, “Born This Way” by Lady Gaga or “To Sir With Love” from the movie of the same name, there’s just something about musicals – in this case musical television, a completely new genre I think – that makes me happy.

In a few months, Season 3 will begin and I have high hopes for it. I don’t know if my hopes will be realized, but I remain optimistic. There’s a bunch of new writers and it’s the last season for series regulars Lea Michelle, Corey Monteith and Chris Colfer (a former FFA member!). I hope they send them off with a bang and remind me of why I came to love a show about a high school glee club so stinkin’ much.